We had one big meeting - it had nothing to do with any film project, it was a ride film for "Back to the Future" for Universal. where he was just a kid in a candy store, just having fun doing what he wanted. He certainly had a lot of fun with the pictures he was doing at the time, but Steven always loved to make movies. Was that the real sweet spot of his career? I'd like to think so. So he was client number one and was attended to in that regard and respected in that regard as well. ![]() ![]() Well, Steven and Amblin, I guess I should say, supplied film after film that really made, during my time at ILM, it such a special place. He was the one who supplied film after film after film. ![]() Steven being probably ILM biggest client during my tenure there - it wasn't George, certainly, it was Steven. He had a very specific vision, as he always does, and so it always got top-notch attention. Steve Beck (Visual Effects Art Director, Industrial Light & Magic): If you do anything for Steven, that's the most important part: You don't want to get anything wrong.
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